Our address: Leibowitsz 9a, Gedera (entrance: open two-wing white gate) - stairs, enter the trail until the going down to the housing unit.
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Please Pay Attention!
For this sale, we specifically ask that you complete all payments no later than Wednesday, March 26th. From March 27th, the gallery will be on vacation until April 1st, and any payment received will be delayed until after the return.
First shipments from the sale will be sent out on Sunday-Monday, March 23-24th
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All the devices and clocks in this auction are sold as they are, there is no gurantee for order condition.
@@@Please note that relatively large or complex items require self-pickup or special delivery to the designated areas (details here below). We have tried to write about this in the description, but there may be a number that we have missed in the registration regarding this, please keep it in mind and if it is necessary to consult, you are welcome to contact us@@@
Purchasing jewelry and gems: The auction house provides a description of the diamonds and gems to the best of its understanding and based on the knowledge and experience of the auction house experts. However, the auction house does not undertake to accurately describe the items in terms of stone size, color, level of cleanliness, condition (including description of defects) and whether it has undergone treatment or painting and the buyer is responsible for inspecting the diamonds and gems before sale. For the avoidance of doubt, no option will be given to cancel the purchase of jewelry, diamonds and gems or return them after purchase, even if the description does not match the item.
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The sale commission is 20% + VAT on the commission only. in a week time from the auction.
A fee of 5% will be added to late payments.
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We only use the Israeli Post services.
Shippments can be choosen in one of forward options:
1. Registered shippping (Israel post) prices:
Up to 2 kilo at a cost of 30 NIS
2-5 Kilo cost 39 NIS.
5-10 kilo cost 45 NIS
10-20 kilo cost 55 NIS
Pay attention! Today the insurance for registered mail stands for a maximum coverage of up to NIS 150 in case of loss/damage. If you wish to add insurance, options will be opened accordingly at the time of payment (increment to 1000/2000 NIS - items/jewelry accordingly).
2. Courier mail for a package of reasonable size (up to 50X50X50 cm) and up to 20 kilos at a cost of only NIS 47. (Warranty and insurance according to the terms of delivery of the private company only!)
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*** Please pay attention! there is no gurantee for damage/breakage to items in any type of mail (registered / couriers)! A customer who confirms the delivery of items, will take into account that the warranty will only be in the event of loss until the cost is covered by the postal services only****
In cases of complecated items and fragile items, the auction house may take an additional cost to ensure the proper packaging of the items.
With certain items, large or particularly complex items, the buyer will have to coordinate collection from the Auction House.
Clarification regarding the payment of VAT: The payment of VAT will be reduced to the customer only in the case that the customer pays to the auction house including shipping abroad. In any other case that does not include shipping abroad, the customer will have to pay VAT.
LOT 341:
Thomas Gleb, Jewish Artist, Holocaust survivor, His Orig. Autograph on book “L’Humour Juif” by Adam, 1966, in ...
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Sold for: $70 (₪257)
₪257
Start price:
$
35
Buyer's Premium: 20%
More details
VAT: 18%
On commission only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations
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Thomas Gleb, Jewish Artist, Holocaust survivor, His Orig. Autograph on book “L’Humour Juif” by Adam, 1966, in French.
Adam. L’Humour Juif. Dessins de Thomas Gleb,
Autograph of the Artist on frontispiece page in French, 1968
Paris, Denoel, 1966., 118 pp., hard cover, 18.5 x 18.3 cm., Many illustrations
Condition: Some wear and staining to cover. Damages to spine – tears
Yellow paper, small foxing stains to first and last pages
Weight: 250 gr.
Thomas Gleb, pseudonym of Yehouda Chaim Kalman, born December 5, 1912 in Zelów (Poland) and died August 7, 1991 in Angers is a French painter, sculptor and tapestry maker of Polish origin.
Yehouda Chaim Kalman was born on December 5, 1912 in Zelów, a small town southwest of Łódź, in central Poland. He was the second child in a family of five. His father, Moses Kalman, was a weaver1. His mother's name was Rebecca Laskier.
In 1917, he entered primary school, the kheder (literally in Yiddish "the room"), where he learned Hebrew and became familiar with the Bible. "I learned the Torah. I learned the Ten Commandments, which became, after fifty years of gestation, a source of inspiration: you will find traces of my paths that lead to the source, to a beginning
From 1922, he practiced various small trades: stamp engraver, water and bread seller and drew in secret. He was a weaver in 1925. In 1926, he became a student of Jozef Mitler (1895-1939) in Łódź, where he learned realistic drawing.
He began a real artistic activity in 1929 and entered the Start studio in Łódź where he drew models from life and tackled oil painting (portraits, still lifes)1.
He continued his pictorial research in Paris in 1932 and considered the painter Arthur Rennert as his master. Working in odd jobs, he was a retoucher of photographic portraits, a decorator of lead soldiers and a decorator. He adopted the pseudonym “Thomas Gleb”, following an article on the “glebe”, published on his painting1. “My nickname is Thomas because I didn’t believe it, Gleb is a name…”
In 1935, his first exhibition took place in his studio, rue de la Chine in the 20th arrondissement of Paris with the photographer Władysław Sławny. During evening French classes, rue de Paradis1, he met his future wife, Malka Tetelbaum, known as Maria, born in 1910 in Biała Podlaska2. They married at the town hall of the 10th arrondissement in 1939. He went on foot to see the Rembrandt exhibition in Amsterdam, settled for a while in Brussels where he met the director Fernand Piette, and designed sets and costumes1. Back in Paris, he continued this activity and created 17 sets for the PIAT theatre until 1939.
He exhibited at the Salon d'Automne in 1938 in Paris.
Second World War
In 1939, when the Second World War broke out, he enlisted in the marching regiments of foreign volunteers3,4,1. Losses amounted to 50% of the combatants. Demobilization took place in Toulouse on July 9, 1940.
His studio was seized in 1940 and looted by the Germans. He moved to 15, rue des Beaux-Arts, in Paris. He joined the Jewish resistance group "Solidarité" (led by Félix Guterman) under the pseudonym Raymond Thomas1. He illustrated tracts.
His eldest daughter Yolanda was born in 1941.
He took refuge with his family in Grenoble in 1943 and held two exhibitions under his resistance name at the Répellin gallery.
He became friends with Andry-Farcy (the curator of the Grenoble museum), Séverac, Verbanesco and Émile Gilioli (1911-1977), one of the leaders of abstraction in French sculpture in the 1950s alongside Constantin Brancusi and Jean Arp.
Arrested by the Gestapo on July 8, 1944, he was transferred to Lyon to Montluc prison, then to Saint-Paul prison. Deported on 11 August to Germany, he managed to slip off the train at Serocourt in the Vosges south of Nancy. He hid near Serocourt until the arrival of the Leclerc division and the Americans who had decided to retake Épinal "in pincers". Nancy and Épinal were liberated on 15 September 1944 by General Patton. The Grenoble studio was looted and seized by the Germans5.
Post-war
His son Jean was born on 20 July 1945, the family returned to Paris. He exhibited in Lyon at the Folklore gallery.
Thomas Gleb won first prize for a mural at the Polish Youth Club in Paris in 1947.
He met Fernand Léger in 1948.
He won a prize at the 1949 Warsaw International Competition for his Ghetto poster. Numerous exhibitions followed in Paris.
Brief return to Poland
Thomas Gleb became friends with the poet François Dodat and met Jean Cassou, then curator of the Museum of Modern Art in Paris, in 19501. He exhibited in Tunis and settled with his family in Warsaw.
He lost his daughter Yolanda following an appendicitis operation in 1951.
During his Polish period from 1950 to 1957, he developed a realistic style, inspired by his childhood, with rural and peasant subjects.

