Auction: 31st October 2023
Preview: 27.-29. October 2023
Once again Van Ham surprises with an extraordinary special sale: on 31 October 2023 the Cologne auction house will be offering the entire series of 270 works which were editioned by the international Swiss art magazine Parkett between 1984 and 2017. This sale represents the very first auction of all Parkett editions on the international market. For those interested in art this is a unique opportunity to acquire works by the most important contemporary artists, with estimated prices ranging from 200 to 500,000 euros. The museum quality of the legendary Parkett editions has already been recognised at exhibition venues of international renown, such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the 21st Century Museum of Contemporary Art in Kanazawa, Japan.
Parkett published a total of 270 artist portraits consisting of three to five texts each by respected authors. Every one of the participating artists was actively involved in the design of the publication – from the selection of the images to the page layout – and in addition created an artwork in the form of an edition. The results were prints, sculptures, installations, media works, paintings and drawings. The list of the 234 artists in total (some of whom are represented several times) reads like a Who’s Who of contemporary art: they range from Mark Bradford, Elizabeth Peyton, Rashid Johnson, Julie Mehretu and Francis Alÿs to Katharina Fritsch, Damien Hirst, Marlene Dumas and Anish Kapoor, and through to Louise Bourgeois, Yayoi Kusama and Gerhard Richter, to name just a few.
LOT 225:
Diana Thater
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Diana Thater: Ohne Titel (für Parkett 60)
THATER, DIANA
1962 San Francisco
Title: Untitled (for Parkett 60).
Date: 2000.
Technique: DVD with video in endless loop. With case on Depiction Size: DVD case: 19,5cm.
Sheet Size: 13,5cm.
Notation: Signed and numbered (on the disc).
Number: 1/150.
Condition:
The object is fully functional.
With Parkett magazine.
"Diana Thater considers the perception of animals in parallel with a human perception which may be described as either conditioned by technology (the camera-assisted human) or as a product of it (the human wholly dependent on the idea of the photographic, i.e., as a post-human realization of itself). What is to be compared here is not the animal and the human but the animal and the apparatus, and while the work's content may be projected on the wall, its subject is the viewer in the gallery."
Jeremy Gilbert-Rolfe, Parkett no. 60, 2000.
article on work and artist from Parkett edition no. 60.
Explanations to the Catalogue

